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OD

  • Cat No: LAD096
  • updated:2026-04-07

Format

LP 3950 JPY

DJ TENNISのレーベル〈Life and Death〉から、テルアビブのコンテンポラリー・ダンス、クラシック、ジャズ等と、エレクトロニック・ミュージック、クラブ・ミュージックの架け橋となるような活動を15年以上に渡り行ってきたというYonatan DaskalのDaskal名義でのデビュー作。REJOICER周辺に続いてイスラエルの電子音楽、ジャズ、サイケデリック、エレガントで実験的な、面白い音楽。中東情勢大混迷ですが、素晴らしい音楽・カルチャーが生まれている。

Red AxesのDori Sadovnikがプロデュース。世界的に注目されてきたイスラエルのコンテンポラリー・ダンス・カンパニー、バットシェバ舞踊団のダンサーをフィーチャリングし、映像作家Tamir Faingoldがディレクションした先行PV「Changes」を含むアルバム「OD」。〈Life and Death〉からのアナログ・リリース。メロトロンやウーリッツァー、MinimoogからJuno-106、Jupiter-8などのヴィンテージ・シンセや機材を使用。ジムノペディを使用したドラムンベースや、Shaman Shamanをフィーチャリングした曲など。 (サイトウ)

Daskal debuts on DJ Tennis’s Life and Death label today with the release of “Changes,” the first single from his forthcoming album OD, out March 6. The release marks a defining moment for the producer and composer, whose work moves fluidly between contemporary dance, film, and electronic music, and represents his first full-length statement reconnecting his compositional practice with the dancefloor.

“Changes” arrives alongside a striking accompanying video directed by award-winning filmmaker Tamir Faingold, featuring dancers from the world-renowned Batsheva Dance Company. Rather than functioning as a traditional music video, the piece uses contemporary dance as its primary language, translating the emotional charge and magnetism of nightlife into movement. Together, the single and visual introduction frame OD as a bridge between club culture and the expressive traditions of modern dance and composition.

A classically trained composer with deep ties to the world of choreography, Daskal has spent recent years creating original scores for institutions including Los Angeles Dance Project and the Royal Danish Ballet, while simultaneously developing a parallel body of work across ambient and experimental electronic music. OD emerges as a convergence of those paths: a ten-track album shaped as much by physical movement and spatial awareness as by club tradition, positioning Daskal between concert hall, black box theater, and late-night club environments.

Recorded and mixed primarily using vintage hardware — including a rare 1980s German mixer in a high-end Tel Aviv jazz studio — OD reflects a deliberate shift away from purely atmospheric writing toward rhythm, repetition, and physicality, while retaining the precision and restraint of his compositional background.

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